writer and artist
catches moments and feelings
uses lines and dots
to create forms and meanings.
In Bateu, the primary visual element is not an image in the traditional sense, but the written word itself. Rather than presenting a visual, the artist offers a sentence, an invitation for the viewer to imagine their own image through personal memory and inner vision. Each sentence acts as a call, and each canvas becomes a site of remembrance shaped by the viewer’s imagination. In this way, the viewer is no longer a passive observer, but an active co-creator of meaning.
In Unspoken, dots and lines are paired with haiku-like poetic cues, blending abstraction with suggestion. The artist offers subtle hints, pointing toward an emotion without defining it, leaving room for personal interpretation. Each canvas becomes a bridge between the artwork and the viewer, where the sensation of feeling and the act of imagining intertwine.
In Silent Poetry, the primary visual element is not the text itself, but the abstract forms—dots and lines—that compose it. Rather than conveying meaning directly, the artist fragments the textual shapes and reassembles them, creating ideograms that exist beyond language. Each canvas becomes a space for exploration, inviting the viewer to navigate the fragments and perceive patterns of significance that emerge from the whole.
